| Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation KE Goldschmitt, N Seaver Cambridge Companion to Music and Digital Culture, 63-81, 2019 | 36 | 2019 |
| Bossa mundo: Brazilian music in transnational media industries KE Goldschmitt Oxford University Press, 2019 | 28 | 2019 |
| “Joga bonito pelo mundo, guerreiro”: Music, Transmedia Advertising, and Brasilidade in the 2006 World Cup K Goldschmitt Popular Music and Society 34 (4), 417-436, 2011 | 14 | 2011 |
| The long history of the 2017 Spotify “fake music” scandal KE Goldschmitt American Music 38 (2), 131-152, 2020 | 12 | 2020 |
| Doing the Bossa Nova The Curious Life of a Social Dance in 1960s North America K Goldschmitt Luso-Brazilian Review 48 (1), 61-78, 2011 | 12 | 2011 |
| Bossa mundo: Brazilian popular music's global transformations (1938-2008) KE Goldschmitt University of California, Los Angeles, 2009 | 8 | 2009 |
| Guest Editors' Introduction: Platforms, Labor, and Community in Online Listening K Galloway, KE Goldschmitt, P Harper American Music 38 (2), 125-130, 2020 | 4 | 2020 |
| Transforming “Brazil” for a US Audience K Goldschmitt The Routledge Companion to Screen Music and Sound, 363-374, 2017 | 4 | 2017 |
| Mobile Tactics in the Brazilian Independent Record Industry KE Goldschmitt The Oxford Handbook of Mobile Music Studies, Vol. 1, 496-522, 2014 | 4* | 2014 |
| From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music KE Goldschmitt Sounds and the City: Volume 2, 103-122, 2019 | 3 | 2019 |
| Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private K Galloway, KE Goldschmitt, PC Harper Twentieth-Century Music 19 (3), 363-368, 2022 | 2 | 2022 |
| Anitta's 'Girl from Rio', Digital Fatigue, and Stereotype KE Goldschmitt Twentieth-Century Music 19 (3), 495-516, 2022 | 2 | 2022 |
| Popular Music since 1945 and the Growth of the Brazilian Culture Industries since 1945 KE Goldschmitt, E Vicente Oxford Research Encyclopedia of Latin American History, 2020 | 1 | 2020 |
| Favela Chic in Action: Soundtracking Urban Violence in Rio de Janeiro, Brazil KE Goldschmitt Music in Action Film: Sounds Like Action, 3-17, 2020 | 1 | 2020 |
| Music, Sound and Space: Transformations of Public and Private Experience K Goldschmitt Ethnomusicology Forum 24 (3), 485-487, 2015 | 1 | 2015 |
| From Miami to Hong Kong: Sounding Transnational Queerness and Translation in Moonlight KE Goldschmitt In the Face of Adversity: Translating Difference and Dissent, 207-220, 2023 | | 2023 |
| Copying the Bossa Nova: Jazz and Dance Fads in the Early 1960s KE Goldschmitt Bossa Mundo, 24-51, 2019 | | 2019 |
| Introduction: Mediation, Attention, and Brazil’s Musical Brand KE Goldschmitt Bossa Mundo, 1-23, 2019 | | 2019 |
| Spirit Song: Afro-Brazilian Religious Music and Boundaries K Goldschmitt MUSIC & LETTERS 98 (2), 331-333, 2017 | | 2017 |
| Unfree Masters: Popular Music and the Politics of Work K Goldschmitt Ethnomusicology 61 (1), 144-148, 2017 | | 2017 |
Nick SeaverAssistant Professor of Anthropology, Tufts UniversityE-mail confirmado em tufts.edu
