| Production design: architects of the screen J Barnwell Wallflower Press, 2004 | 89 | 2004 |
| Film yapımının temelleri J Barnwell, G Altıntaş Literatür Yayınları, 2011 | 61 | 2011 |
| Fundamentos de la creación cinematográfica J Barnwell Parramón, 2009 | 41 | 2009 |
| Fundamentos de produção cinematográfica J BARNWELL Porto Alegre, 2013 | 31 | 2013 |
| The Fundamentals of Film Making J Barnwell Bloomsbury Publishing, 2019 | 24 | 2019 |
| Production design for screen: visual storytelling in film and television J Barnwell Bloomsbury Publishing, 2017 | 17 | 2017 |
| Grundlagen der Filmgestaltung J Barnwell Stiebner Verlag GmbH, 2009 | 13 | 2009 |
| Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema J Barnwell Journal of British Cinema and Television 2 (1), 117-129, 2005 | 6 | 2005 |
| The Designer's Story: Filmmaking from the Perspective of the Production Designer J Barnwell University of Brighton, 2018 | 3 | 2018 |
| Production Design & the Cinematic Home J Barnwell Palgrave Macmillan, 2022 | 1 | 2022 |
| Returning Home: Set Design and Visual Storytelling in the Cult World of Stranger Things J Barnwell Investigating Stranger Things: Upside Down in the World of Mainstream Cult …, 2021 | 1 | 2021 |
| How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? J Barnwell Palgrave Macmillan, 2020 | 1 | 2020 |
| Searching for a Lost Home in the Labyrinth: Set Design in Tinker Tailor Soldier Spy J Barnwell Histories, Adaptations, and Legacies of Tinker, Tailor, Soldier, Spy, 87-102, 2023 | | 2023 |
| Introduction: Production Design and the Cinematic Home J Barnwell Production Design & the Cinematic Home, 1-22, 2022 | | 2022 |
| Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun) J Barnwell Production Design & the Cinematic Home, 23-44, 2022 | | 2022 |
| Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith) J Barnwell Production Design & the Cinematic Home, 45-65, 2022 | | 2022 |
| The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson) J Barnwell Production Design & the Cinematic Home, 151-170, 2022 | | 2022 |
| Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood) J Barnwell Production Design & the Cinematic Home, 129-150, 2022 | | 2022 |
| Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential J Barnwell Production Design & the Cinematic Home, 89-110, 2022 | | 2022 |
| Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? J Barnwell Production Design & the Cinematic Home, 111-128, 2022 | | 2022 |
