Authenticity within hip-hop and other cultures threatened with assimilation K McLeod Journal of communication 49 (4), 134-150, 1999 | 616 | 1999 |
Genres, subgenres, sub-subgenres and more: Musical and social differentiation within electronic/dance music communities K McLeod Journal of popular music studies 13 (1), 59-75, 2001 | 296 | 2001 |
Creative license: The law and culture of digital sampling K McLeod, P DiCola Duke University Press, 2011 | 285 | 2011 |
Freedom of expression®: Overzealous copyright bozos and other enemies of creativity K McLeod Doubleday, 2005 | 234 | 2005 |
MP3s are killing home taping: The rise of Internet distribution and its challenge to the major label music monopoly K McLeod Popular Music and Society 28 (4), 521-531, 2005 | 211 | 2005 |
Owning culture: Authorship, ownership and intellectual property law. K McLeod | 206 | 2001 |
Freedom of expression®: Resistance and repression in the age of intellectual property K McLeod U of Minnesota Press, 2007 | 138 | 2007 |
Fake news: understanding media and misinformation in the digital age M Zimdars, K McLeod MIT Press, 2020 | 128 | 2020 |
‘* 1/2’a critique of rock criticism in North America K McLeod Popular Music 20 (1), 47-60, 2001 | 122 | 2001 |
Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic K McLeod Popular music and Society 28 (1), 79-93, 2005 | 102 | 2005 |
Between rock and a hard place: Gender and rock criticism K McLeod Pop music and the press, 93-113, 2002 | 98 | 2002 |
Cutting across media: Appropriation art, interventionist collage, and copyright law K McLeod, R Kuenzli Duke University Press, 2020 | 66 | 2020 |
Pranksters: Making mischief in the modern world K McLeod Pranksters, 2014 | 54 | 2014 |
Long-term survival of surgically treated hip fracture in an Australian regional hospital K McLeod, MP Brodie, PP Fahey, RA Gray Anaesthesia and intensive care 33 (6), 749-755, 2005 | 51 | 2005 |
How copyright law changed hip hop: An interview with Public Enemy’s Chuck D and Hank Shocklee K McLeod Stay Free Magazine 20, 2002 | 39 | 2002 |
Copyright criminals B Franzen, K McLeod Documentary. New York, New York, 2010 | 28 | 2010 |
Strategic Improprieties: Cultural Studies, the Everyday, and the Politics of Intellectual Properties: Introduction T Striphas, K McLeod Cultural Studies, 119-144, 2020 | 26 | 2020 |
The private ownership of people K McLeod na, 2006 | 26 | 2006 |
Owning Culture: Authorship K McLeod Ownership, and Intellectual Property, 2001 | 19 | 2001 |
The downtown pop underground: New York City and the literary punks, renegade artists, DIY filmmakers, mad playwrights, and rock'n'roll glitter queens who revolutionized culture K McLeod Abrams, 2018 | 17 | 2018 |