Single chords convey distinct emotional qualities to both naïve and expert listeners I Lahdelma, T Eerola Psychology of Music 44 (1), 37-54, 2014 | 101 | 2014 |
Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension I Lahdelma, T Eerola Scientific Reports 10 (8693), 1-11, 2020 | 68 | 2020 |
Mild Dissonance Preferred Over Consonance in Single Chord Perception I Lahdelma, T Eerola i-Perception 7 (3), 2016 | 56 | 2016 |
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music G Athanasopoulos, T Eerola, I Lahdelma, M Kaliakatsos-Papakostas PLoS One 16 (1), e0244964, 2021 | 52 | 2021 |
The anatomy of consonance/dissonance: Evaluating acoustic and cultural predictors across multiple datasets with chords T Eerola, I Lahdelma Music & Science 4, 1-19, 2021 | 24 | 2021 |
Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners I Lahdelma, G Athanasopoulos, T Eerola Annals of the New York Academy of Sciences, 2021 | 24 | 2021 |
Affective priming with musical chords is influenced by pitch numerosity I Lahdelma, J Armitage, T Eerola Musicae Scientiae 26 (1), 208-217, 2022 | 19 | 2022 |
Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music I Lahdelma, T Eerola Empirical Musicology Review 10, 245-263, 2015 | 18 | 2015 |
Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners J Armitage, I Lahdelma, T Eerola The Journal of the Acoustical Society of America 150 (1), 551-560, 2021 | 16 | 2021 |
Register impacts perceptual consonance through roughness and sharpness T Eerola, I Lahdelma Psychonomic Bulletin & Review, 1-9, 2022 | 11 | 2022 |
At the interface between sensation and emotion: Perceived qualities of single chords I Lahdelma Jyväskylä studies in humanities 313., 2017 | 11 | 2017 |
Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences? I Lahdelma, T Eerola, J Armitage Frontiers in Psychology 13, 2022 | 9 | 2022 |
Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals J Armitage, I Lahdelma, T Eerola, R Ambrazevičius PLoS One 18 (12), e0294645, 2023 | 2 | 2023 |
Separating the Cultural from the Universal in Harmony Perception I Lahdelma https://musicscience.net/2021/09/12/separating-the-cultural-from-the …, 2021 | 2 | 2021 |
Is the Perception of Consonance and Dissonance Universal? I Lahdelma https://musicscience.net/2019/04/26/is-the-perception-of-consonance-and …, 2019 | 2 | 2019 |
Valenced priming with acquired affective concepts in music: Automatic reactions to common tonal chords I Lahdelma, T Eerola Music Perception: An Interdisciplinary Journal 41 (3), 161-175, 2024 | 1 | 2024 |
Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension I Lahdelma, T Eerola PsyArXiv, 2019 | 1 | 2019 |
Duurisävellajin epäkonventionaalinen käyttö musiikillisen emootion välityksessä I Lahdelma | 1 | 2011 |
Musical expertise better predictor of tension in harmonic intervals than psychoacoustics across North and South Indian listeners I Lahdelma, T Eerola, N Ahmad, M Clayton, J Armitage, B Bhattacharyya, ... OSF, 2023 | | 2023 |
Data-driven theory formulation or theory-driven data interpretation? Comment on “Consonance and dissonance perception. A critical review of the historical sources … I Lahdelma, T Eerola Physics of Life Reviews 45, 56-59, 2023 | | 2023 |