David Temperley
David Temperley
Professor of Music Theory, Eastman School of Music, U of Rochester
E-mail confirmado em esm.rochester.edu
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Parsing English with a link grammar
DDK Sleator, D Temperley
arXiv preprint cmp-lg/9508004, 1995
12741995
The cognition of basic musical structures
D Temperley
MIT press, 2004
11302004
Music and probability
D Temperley
Mit Press, 2007
5362007
A corpus analysis of rock harmony
T De Clercq, D Temperley
Popular Music 30 (1), 47-70, 2011
2802011
Grammatical trigrams: A probabilistic model of link grammar
J Lafferty, D Sleator, D Temperley
School of Computer Science, Carnegie Mellon University, 1992
2091992
Do grammars minimize dependency length?
D Gildea, D Temperley
Cognitive Science 34 (2), 286-310, 2010
1922010
What's key for key? The Krumhansl-Schmuckler key-finding algorithm reconsidered
D Temperley
Music Perception 17 (1), 65-100, 1999
1871999
Syncopation in rock: a perceptual perspective
D Temperley
Popular music 18 (1), 19-40, 1999
1691999
Modeling meter and harmony: A preference-rule approach
D Temperley, D Sleator
Computer Music Journal 23 (1), 10-27, 1999
1631999
The melodic-harmonic ‘divorce’in rock
D Temperley
Popular Music 26 (2), 323-342, 2007
1482007
Minimization of dependency length in written English
D Temperley
Cognition 105 (2), 300-333, 2007
1352007
Meter and grouping in African music: a view from music theory
D Temperley
Ethnomusicology 44 (1), 65-96, 2000
1272000
Pitch-class distribution and the identification of key
D Temperley, EW Marvin
Music Perception 25 (3), 193-212, 2008
1132008
Statistical analysis of harmony and melody in rock music
D Temperley, T Clercq
Journal of New Music Research 42 (3), 187-204, 2013
1052013
Communicative pressure and the evolution of musical styles
D Temperley
Music Perception 21 (3), 313-337, 2004
912004
Ambiguity avoidance in English relative clauses
D Temperley
Language, 464-484, 2003
842003
A unified probabilistic model for polyphonic music analysis
D Temperley
Journal of New Music Research 38 (1), 3-18, 2009
822009
A probabilistic model of melody perception
D Temperley
Cognitive Science 32 (2), 418-444, 2008
792008
An algorithm for harmonic analysis
D Temperley
Music Perception 15 (1), 31-68, 1997
741997
The question of purpose in music theory: Description, suggestion, and explanation
D Temperley
732001
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Artigos 1–20