Identification and Cross-Document Alignment of Measures in Music Score Images. S Waloschek, A Hadjakos, A Pacha ISMIR, 137-143, 2019 | 13 | 2019 |
Driftin' Down the Scale: Dynamic Time Warping in the Presence of Pitch Drift and Transpositions. S Waloschek, A Hadjakos ISMIR, 630-636, 2018 | 13 | 2018 |
SPINE: A TUI Toolkit and Physical Computing Hybrid. A Hadjakos, S Waloschek NIME, 625-628, 2014 | 9 | 2014 |
Meico: A converter framework for bridging the gap between digital music editions and its applications A Berndt, S Waloschek, A Hadjakos Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 1-7, 2018 | 6 | 2018 |
Hand gestures in music production A Berndt, S Waloschek, A Hadjakos ICMC 2016-42nd Int. Comput. Music Conf. Proc, 448-453, 2016 | 6 | 2016 |
Ambidice: an ambient music interface for tabletop role-playing games. A Berndt, S Waloschek, A Hadjakos, A Leemhuis NIME 17, 15-19, 2017 | 5 | 2017 |
Bacher than Bach? On musicologically informed AI-based Bach chorale harmonization A Leemhuis, S Waloschek, A Hadjakos Machine Learning and Knowledge Discovery in Databases: International …, 2020 | 4 | 2020 |
Interactive Scores in Classical Music Production S Waloschek, A Berndt, BW Bohl, A Hadjakos ISMIR 2016, 2016 | 4 | 2016 |
VIP: Controlling the sound of a piano with wrist-worn inertial sensors A Hadjakos, S Waloschek International Conference on New Interfaces for Musical Expression, Keyboard …, 2014 | 4 | 2014 |
Tools for annotating musical measures in digital music editions Y Mexin, A Hadjakos, A Berndt, S Waloschek, A Wawilow, G Szwillus Proceedings of the 14th Sound and Music Computing Conference, 279-286, 2017 | 3 | 2017 |
Sensors on stage: conquering the requirements of artistic experiments and live performances. S Waloschek, A Hadjakos NIME, 351-354, 2015 | 3 | 2015 |
Detecting hands from piano MIDI data A Hadjakos, S Waloschek, A Leemhuis Gesellschaft für Informatik eV, 2019 | 2 | 2019 |
Accelerating the Editing Phase in Music Productions using Interactive Scores S Waloschek, A Berndt, BW Bohl, A Hadjakos Proceedings of the 2nd AES Workshop on Intelligent Music Production 13, 2016 | 2 | 2016 |
Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung BW Bohl, A Berndt, S Waloschek, A Hadjakos “Ei, dem alten Herrn zoll’ ich Achtung gern'” - Festschrift für Joachim Veit …, 2016 | 2 | 2016 |
Synchronizing Spatially Distributed Musical Ensembles A Hadjakos, A Berndt, S Waloschek 12th Sound and Music Computing Conf.(SMC15). Maynooth University, Maynooth …, 2015 | 2 | 2015 |
Interaktive Partituren in der Musikproduktion S Waloschek Master's thesis. Ostwestfalen-Lippe University of Applied Sciences, Center …, 2017 | 1 | 2017 |
Inside Beethoven! a musical installation for a new listening perspective A Berndt, S Waloschek, A Hadjakos, J Veit Proceedings of the 15th International Audio Mostly Conference, 245-248, 2020 | | 2020 |
Audioschnitt in digitalen Noten S Waloschek Gesellschaft für Informatik, Bonn, 2017 | | 2017 |
Dem Igel Sitte lehren… BW Bohl, A Berndt, S Waloschek, A Hadjakos | | 2016 |
Gedanken zur Nutzung von Handgesten in der Musikproduktion A Berndt, S Waloschek, A Hadjakos De Gruyter Oldenbourg, 2015 | | 2015 |